Sarah Coit was a Vocal Fellow with Ravinia's Steans Music Institute and made several important roles and house debuts in 2018-19. Her San Francisco Opera debut covering Daniela Mack as Rosmira in Handel’s Partenope with San Francisco Opera was canceled due to the Covid-19 pandemic.

In the 2019-20 season, Sarah performed Mercédès in Carmen with Opera Tampa. 2023 performances include Fariba and Wife #3 in the World Premiere of A Thousand Splendid Suns with Seattle Opera and Laurene Powell Jobs in The (R)evolution of Steve Jobs with Utah Opera. Upcoming performances in 2022 include Juno in Handel’s Semele with Opera Santa Barbara, Stephano in Romeo et Juliette with San Diego Opera, a return to West Edge Opera for Sesto in Giulio Cesare, Daniel in Handel’s Belshazzar with American Bach Soloists, concerts with Sag Harbor Song Festival and The Neave Trio in Boston, and the role of Komponist in Ariadne auf Naxos with Arizona Opera. Her opening aria “Una voce poco fa” displayed a clear, natural tone and her phrasing was exquisite.” Sarah was the alto soloist in Handel’s Messiah with appearances at Symphoria, Winston-Salem Symphony, Indianapolis Symphony and the American Bach Soloists. As Rosina in Utah Opera’s production of Il barbiere di Siviglia, Utah Arts Review stated “As Rosina, Sarah Coit was captivating. She sang Varvara in Katya Kabanova with West Edge Opera, and starred as Addison Moore in the film premiere of The Copper Queen by Clint Borzoni with Arizona Opera.

Mezzo-soprano Sarah Coit enjoyed an exciting year of operatic and symphonic debuts in 2021.

Seattle opera semele